Em noites como esta, quando o silencio é só
E a rua turva com a névoa empresta aos postes
Um claro fosco de sonhos esquecidos,
Ponho-me à janela, cachimbo em mãos como luneta,
A entrever no espelho baço da cidade
Algum sinal de vidro iluminado,
Ou sombra vagueando o espaço indefinido,
Como se dormisse algures este alguém que pensa
E logo ali estivesse a realidade.
sábado, 21 de junho de 2014
terça-feira, 17 de junho de 2014
Espelho d'Água
Meu toque é falso nesta pedra,
Ela desconhece minha presença.
Constroi-se somente em minha ausência
E ignora a vontade que lhe estendo.
É falso pois lhe dou o que não pede,
Sede impingida pelo orvalho.
Cruel a face que se força cega
Ao espelho que era outrora apenas água.sexta-feira, 30 de maio de 2014
O Agouro
Os olhos são lodos
profundos de vazio,
Seu corpo um entoado de
tristeza corrente.
Assim como o ar, é
frio e cortante. Solitário.
Quieto. Só fala diante
do maior absurdo.
Suas plumas negras, de
nobreza noturna
Misturam-se ao corpo da
penumbra.
Errantes malditos,
bailarinos dos mistérios,
Girando suas graças
soltos na bruma.
A dor e a morte são
seu império,
A lágrima e a memória
são a sua pluma.
É dentre os mortais, o
agouro mais medonho.
Sua presença, o caos
para todo que o avista.
Exceto a feliz
coincidência, eu suponho,
De quando pousou nos
umbrais daquele artista.
terça-feira, 20 de maio de 2014
Sobre a Ponte de Pegas
Deixe, peço, que estas lágrimas que tanto te revoltam
Despertem de seu sono e nos despeçam apenas
Quando a lembrança amarga da revolução dos astros,
Como um augúrio impresso ante a migração do sol,
Entreponha após o desenlace de nossos dedos
A realidade intransponível da memória
E do desejo.
(Inspirado na lenda chinesa de Niu Lang (Vaqueiro) e Zhi Nu (Fiandeira), escrito pós a leitura de um poema anônimo chinês, aqui traduzido do inglês)
Despertem de seu sono e nos despeçam apenas
Quando a lembrança amarga da revolução dos astros,
Como um augúrio impresso ante a migração do sol,
Entreponha após o desenlace de nossos dedos
A realidade intransponível da memória
E do desejo.
(Inspirado na lenda chinesa de Niu Lang (Vaqueiro) e Zhi Nu (Fiandeira), escrito pós a leitura de um poema anônimo chinês, aqui traduzido do inglês)
Longe e longe está a Estrela do Vaqueiro,
clara e clara é a Garota Fiandeira.
Alva e delicada, suas mãos se movem
ziguezagueando no tear.
Ela não termina uma peça num dia
e suas lágrimas fiam-se abaixo como chuva.
O Rio Celeste está claro e raso;
Não há nenhuma distância entre os dois.
Através das águas transbordantes
a Fiandeira olha com amor silente
domingo, 27 de abril de 2014
Spirit's Palestine
That was not a pilgrim's journey, inside
His eyes. The wind over the holy land,
Whispering dry conclusions to his dreams,
Burned in earthly fire the pray on his lips
And lifted to heaven the sterile intonations
Of the sand.
"That is a souls-ridden land."
Love spoke and died before the infinite
Of the desert; his tears did not suffice
To fill a pond for his urged reflections.
His inward eyes had foretold him the end:
He lacked a passion enough to name a god
Upon his death, or else a crucifixion,
Nailed at fast, on self and soul's intersection.
He sighed:
"It is a robber's death at last."
His eyes. The wind over the holy land,
Whispering dry conclusions to his dreams,
Burned in earthly fire the pray on his lips
And lifted to heaven the sterile intonations
Of the sand.
"That is a souls-ridden land."
Love spoke and died before the infinite
Of the desert; his tears did not suffice
To fill a pond for his urged reflections.
His inward eyes had foretold him the end:
He lacked a passion enough to name a god
Upon his death, or else a crucifixion,
Nailed at fast, on self and soul's intersection.
He sighed:
"It is a robber's death at last."
terça-feira, 25 de março de 2014
A Pale Horse Named Death
The years have been passing fast in the last seconds.
I've been in me since I could see the waves of change in the fog. A
fog. A fog made of nurture and a sense of shapeness. A sense of
cloudlessness. A sense of sound, a silent sound echoing inside my
brain. And eyes in the rain, like eyes of someone searching for eyes.
Searching for nurturing. A figure of a vulture, living, vanishing,
verbalizing, wishing something whistling its name in the air.
This place. This place was alive once. A small fence
further to the fables of my father, further to my faults, further to
my falling house. A miserable house. A miserable house, consuming
every being of everything. I could sense the rotten wood whispering
to my guts that were burning every second I dared to breath.
The wind ran around trees and the valleys were gray, as
the sky looping colorfull and cadaverous everytime I was lost inside
the universe. Time was a mad man laughing among the living. It was a
cherry flavor in my tongue. It was the very toil, the own tool to
transform the fade and the fallen. Time was a trot, time was a
virulent mouth. Time was a sigh. A very soon sigh. A very deep sigh.
When it came at me, deep down in my house, a putrid
breath of its massive hug. A livetime touch that I could only palp.
An unflagging, subtle scald pumping my throat. Trees were dry. The
valley was gone. My house has been remembered. I heard birds, I always did. Now they were really birds. Now they were singing. Now they
were fluttering. My hands fluttered too. And I, astonished, saw them.
There were no sands inside the air, there was dust inside my sand.
But no shadows has changed place.
My eyes were looking for them. My eyes were rid of my
house, it was rid of my space. Shape of eternety is an animal. I saw
that animal. My eyes in the rain, not more in vain, as wise as my
brain. It was the same. I was the same.
I never changed a single shadow, and that animal's
shadow has walked through me, and I was me again.
Lost.
terça-feira, 28 de janeiro de 2014
A Reconciled Song
I cannot sing as a happy child
Nor conceive a song as an old man,
But now I know to be as mild
And I am happy in knowing them.
Nor conceive a song as an old man,
But now I know to be as mild
And I am happy in knowing them.
Assinar:
Postagens (Atom)